|     In Search of Credible Composites Editor's Forum Composite performance numbers are somewhat like film treatments of 
          novels : a lot of decisions need to be made in the name of condensation 
          and mass appeal and rarely are those decisions universally applauded. In performance benchmarking, there are greater risks than even those 
          associated with subjective judgments about what's important and what's 
          not so important in the grand scheme of things. There's a chance that 
          if a composite is done a certain way, it could give an advantage to 
          one vendor's systems over another's. But, just as consumers like to 
          see blockbuster novels come to the big screen, so do computer users 
          like to see the one number that sums everything up.  Of course, it's not that simple. The increasingly complex world of 
          computer graphics performance can't be summed up by a "one-size-fits-all" 
          philosophy. Benchmarking organizations such as the GPC Group try to 
          balance the need for accurate performance measurement with the public 
          demand for "quotable" numbers. So, while it provides composite numbers, 
          the committee encourages users to look at the individual reports when 
          comparing systems. Ideally, the committee urges users to benchmark their 
          own applications. It took the Picture-Level Benchmark (PLB) project group more than three 
          years to come up with its composite numbers. The XPC project group took 
          more than a year to develop Xmark93. After more than a year of 
          deliberation, the OPC project group decided on a single composite number 
          for each Viewperf viewset. In all three situations, the arrival of a composite number was met 
                with gnashing of teeth and more than a few sighs that indicate 
                "there's got to be a better way." Members of groups no doubt feel 
                the same kind of regrets as film editors who have just reduced 
                a hundred hours of raw film into the two-hour movie that is supposed 
                to capture the novel perfectly.   |